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In both activities one is feeling one's way, stumbling across obstacles scattered across a smaller area in the hope of preventing their reappearance later in the larger piece. If the chant/stitch pattern is a fairly simple one (as the 4-row lace pattern in Annette, shown above, is) it can be memorised by the end of the practice run, leaving the mind free either to wander elsewhere, to dwell on perfecting tweaks, or to revel in a mysterious meditative state. If it is complicated, this preparation reveals it as such, and encourages alertness during the main event.
I think I'm going to leave my metaphor now, before it becomes absurd. Maybe I'm missing singing a little bit...
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