Showing posts with label Shawls. Show all posts
Showing posts with label Shawls. Show all posts

Tuesday, 19 November 2013

I sat at my father's grave and knit

November is for remembrance; I decided to visit my father’s grave. In my poppy-red jumper, with my bereavement-grey shawl to knit on the way, I set out. The train trundled fast through the Ligurian hills, close-crowding like the flanks of an affectionate, green poodle, and on inland into austere Piemonte, where the hills keep an aloof distance and flat fields spread out between them. I knit nupps to nix my nerves. 

From the broad boulevards of central Turin to the coniferous curves of the mountain road, the taxi driver alternated between local history and compliments.
‘At one point of course there were a lot of witches around here– they used to have black masses in that square outside the Gran Madre. How come you’re not married? You’re so sunny! It’s too cold in Scotland, maybe Scottish men have cold souls. Find yourself a nice Italian man. Do you know the population of Turin has dropped from 1.3 million in the Fiat golden years to…’
Half-remembered houses clinging to the hillside hurtled past. We asked for directions, took a steep street under an old brick arch – there was the nectarine-yellow church where the funeral was – and up, up in the mist at the very top of the hill, there was the graveyard. He wished me luck and undercharged me.

It must have been – Jesus, ten years? Maybe more? Since I’d been. We moved to Scotland, and my grandfather left the North for a lonely corn on the toe of the Italian boot: our trips to the peninsula became games of connect-the-dots between Edinburgh and a constellation of Southern airports. I had forgotten the hill-cool of Piemonte. I had forgotten a lot. Nevertheless, my feet carried me to exactly the right spot in the graveyard.

There can be a kind of competitiveness to these cities of the dead. ‘Oh, you’ve got a little plant pot there, have you, hmm?' 


'Well, I’ve got a manicured shrubbery.’


‘Oh yeah? I’ll see your shrubbery, and raise you an enormous alabaster mansion, where me and my descendants will recline in style for all eternity.’ 



I find it all a bit tomb much. Still, nothing had quite prepared me for the sorry state my father’s grave was in. Some unknown hand had pity-littered it with fake flowers, now faded, and a small evergreen, now a nevergreen. 



The desultory, dateless stone, only ever meant to be temporary, stayed in place during wranglings about whether and whither to move him, and at some point gave up, fell backwards and cracked into three pieces. The very ground seemed tired and saggy. 

I didn’t think it would matter to me – the cemetery wasn’t a place I associated with him, after all, with him alive that is. Anyone who has ever seen a dead body will attest to how weirdly little they retain of the person-that-was: whatever your views on the afterlife are, something has definitely departed. Besides, it had been a long time – way past ‘recently bereaved’, past even ‘delayed reaction’ and into, I don’t know, ‘wistful smiles and fond remembrance’. After seventeen years surely the clawing wildcat of fresh grief should be tamed to a tabby that can be trusted not to spray sadness all over the furniture. Standing at that poor, abandoned grave, though, I must admit I lost my shit. 

I thought of all the mountains of stuff I would like to talk to him about. As I took photos of the place, I wished I could ask his advice about proper cameras, about f-stops, shutter speeds, light metres, tripods – and in return share my largely useless knowledge of Hipstamatic. I listened to Bruce Springsteen’s ‘Born in the U.S.A.’, an album he had on heavy rotation in his car, and thought of all the cool new music I bet he would have liked. I thought of how funny he was, and all the jokes we could have shared. I thought of all the places I’d been, people I’d met, and things I’d learned since I was ten that he knew nothing about and never would. 

 
Then, partly because I needed a repetitive, mechanical thing to do to get myself together, and partly out of an urge to show him one of these things I had learned, like child-me might once proudly have shown him a gold star earned at school, I took out my knitting. I unfurled the tangled shawl-creature, smoothing out the charts on the marble top of a neighbouring tomb. And there, at my father’s grave I sat, wept, knit, until the rain came down and it was time to go.

Friday, 15 November 2013

This chart is a set-up!



You… you gotta believe me, honey. I wouldn’t do a thing like this – I told ya, I’m outta the knitting game: I promised you I wouldn’t touch a filthy needle again, and I meant it.

This is a fix! I never even heard of this Elizabeth Freeman broad, I swear to God. Ae – Aeo – Aeolian, what is she testing out all the vowels on her keyboard – I can’t even pronounce that. I tell you, sweetheart, some knithead’s set me up! It's a set-up! This is a… [repeats as police car drives away]

Thursday, 2 September 2010

Irtfa'a Shawl (or 'Earning My Wings')



I went to the Botanics today to take some pictures (finally) of my humungoid Irtfa'a shawl, which has been nestled around my shoulders for much of this manic month.


Above I am spreading out the magical cloak of dreams. Its wingspan is so much bigger than mine; I think of the wandering albatross every time I wear it.


The gardens were in vibrant bloom, and virtually deserted - the perfect place for knittish swishing about.


It was rather tricky to show off its beautiful bigness on my tiny frame and, as always, the multi-dimensional brilliance of Lilith's yarn is difficult to capture.



I would recommend the pattern; I did get ever so slightly bored of the small feather section, but the finished effect is definitely worth the slog. This is the largest project I have ever completed, taking over half a mile of yarn! I feel like I have earned my knitterly wings.


That's shawl, folks.

Thursday, 5 August 2010

It really is quite a big shawl

The bath-time plesiosaurus...



... took 231 pins to block...


... and now has a wingspan of about 3 metres...


... that's about the same as the wandering albatross

Modelled shots to come once I can find someone to take them, and figure out how to stop it trailing along the ground as I walk.

Saturday, 31 July 2010

Green Things



Clockwise from the left: a simple stocking stitch sock; a glistening lime dome from the best chocolatier in the world; a mossy, messy pile that very soon will be a finished shawl.

Sunday, 11 July 2010

Quoth the Raven



What to do when the last thing you knit was a large green shawl? Why, knit an even bigger green shawl, of course! Apologies for the rubbish photo - it's so hard to get unblocked lace to look like anything other than a worrying fungus. The photo also fails to give an indication of the scale of the thing: to do that, I would have had to photograph it alongside, say, France. It's HUGE. The pattern (another Anne Hanson creation) is called Irtfa'a, which apparently means 'raven's wing' in Arabic. This would be a raven of terrifying proportions, the sort that would block out the sun before conquering a city. Though perhaps a little frightening to look at, the raven would have very soft wings, as it made out of an Old Maiden Aunt Baby Alpaca/Silk/Cashmere blend, which I waxed lyrical about here.


When I show people my finished knits, a question that often comes up is 'How long did that take you?'. I normally find it quite a tricky one to answer ('Oh, I've been working on it for about a month, on and off, but really only a little bit in the evenings...'). This time, though, I can measure it by the audiobooks and podcasts I have listened to whilst knitting it: the total currently stands at about 30 hours, and I still have half the edging to go. As I said, it's quite a big green shawl.

Wednesday, 19 May 2010

Laminaria Shawl



I took my Laminaria shawl on its first outing today, to the Old Library, which is not a library, but is one of my favourite rooms in college.


A pattern of heart-stopping beauty, and mathematical genius, knit in 100% cashmere that does not sacrifice stitch definition for softness. If I do say so myself, it is pretty much the epitome of lace loveliness; I can't entirely believe I made it. 


The three stitch patterns (the tiny stars, the blossom, the peacock plume-like edging) are all individually glorious, but it is the way they grow out of one another that makes this pattern truly special. I made the 'shoulderette' size, but went up a needle size and did two extra repeats of the first chart because I had extra yarn.



Draped around my shoulders or scrunched around my neck, this shawl makes me feel like a delighted wood nymph. It makes me almost hope for a cooler summer so I can get the most wear out of it.

Sunday, 16 May 2010

Drying Seaweed


The Laminaria shawl is damply taking up most of my floor space. It occurred to me that it might be quite happy in this sodden state, given that the design was inspired by this seaweed.

Wednesday, 12 May 2010

Coming Up: a Shawl and a Secret


Above is a top secret project I shall soon be able to unveil. Also, I cast off my Laminaria shawl last night, and just need to find the time (and indeed space) to block it. Even in its scrunchy, unblocked state, though, I think it may well be the most beautiful thing I have ever made.
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